Guides
The questions a videomaker searches for, with the real answer. At the end of each, what SemSync does.
Three cameras, no slate and no timecode: how to line up a multicam in DaVinci Resolve by audio, where Resolve's auto sync stops, and how to do it in one button with SemSync.
The method to edit six hours of a multicam club night: what to record, how to name folders, the sync on the desk audio, the cuts on the drops and the clips for the venue and the DJ.
How an automatic multicam live edit works in a venue: the installed cameras, the video switcher, the cut in time with the music, the phone in the director's hand and the next day's edit.
Conferences, podcasts and corporate multicam video in Premiere Pro: how to sync the cameras without timecode and have the edit follow whoever speaks, with subtitles and chapters from the voice.