Guide
Two or three cameras on a conference or a podcast, separate microphones, no timecode. Premiere syncs by audio, but the edit you do by hand, talk by talk. Here is the method, and how SemSync does it inside Premiere.
Riccardo Tirincanti, SemSync, 2026-09-14
Select the clips, right click, Create Multi-Camera Source Sequence, sync by Audio. It works on short recordings; on a conference day, with breaks and cameras restarting, it breaks and you redo it by hand.
SemSync recognises the voices and knows who is speaking at every moment: the edit goes to the camera of whoever speaks, with the cut waiting for the end of the sentence, and the talks come out with the speaker's name. Subtitles and chapters come from the voice, and the client gets a folder ready to use: the talks, one clip per speaker, the report.
The SemSync panel opens from Window, Extensions. The timeline goes into the open project with the native clips, the cuts and the markers; you touch it up like any timeline. Nothing leaves your computer.
Questions
The panel needs an installed Premiere Pro, trial included. Without Premiere, SemSync writes the timeline file and you import it.
Italian and English today for subtitles and chapters; the others come with real jobs.
Same: two cameras and two microphones, the edit goes to whoever speaks and the episode comes out edited.
Corporate, conferences, podcasts
Fourteen days, on everything, no card.